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A versatile writer, Sibley’s work has spanned from writing dialogue for television’s “The Guiding Light” to serving as a contributing editor at Interview Magazine to seeing his work produced Off-Broadway and regionally. His first play "Governor's Mansion" won the Southwest Regional Playwright's Competition in 1978, and was produced at Center Stage in Austin, TX. His play "Mortally Fine" was produced at The Actors Outlet Theater (W. 28th St.), NYC, in 1985 and at The Group Rep Theater in Burbank, CA, 1998. ("Mortally Fine" is excerpted in "100 Monologues; An Audition Sourcebook from New Dramatist," Laura Harrington, Editor, Mentor Books; ISBN: 04516268851.) "Mr. and Mrs. Coffee" (prod. Humboldt Univ., Arcata, CA, and excerpted in "Competition Monologues", University Press of America, Edited by Roger Ellis, ISBN: 0819168505), "If You Loved Me" ( staged readings at The Tennessee Williams Playwright Festival, Key West, FL, New Dramatist, NY, and The Attic Theater, Los Angeles, CA.), "Lock The Doors!" (prod. 29th St. Rep. Co., NYC, 1990, New Voices In The American Theater Festival), "It Happened In Santa Fe" (Prod. Railyard Performance Center, Santa Fe, NM, 1994). "Kitten and Princess" and "Two Men, Two Women and a Bird," one-acts, have all had NYC productions.
He has nine screenplays in various stages of Hollywood production, including the award winning "Where all the Rattlesnakes Are Born" (Silver Medal, Best Screenplay, WORLDFEST, Houston, 1992) and "White On Rice"(retitled from "Approximate Lives", Finalist, Best Screenplay, Charleston-Spoleto Festival, 1994). "December Story," "Amor," and "Dead Giveaway" are all presently under option. His screenplays have also been optioned by such esteemed directors as John Schlesinger (MIDNIGHT COWBOY), Arthur Hiller (LOVE STORY) and Pete Masterson (THE TRIP TO BOUNTIFUL). He's co-written three screenplays with actress Diane Ladd ("Hot Water Biscuits," "High Maintenance," and "The Last of the Bad Girls") and another ("The Big Hurt") for actor Tab Hunter.
A graduate of the University of Texas, Austin, BS in Communications (Radio, Television, Film), Sibley is a former member and boardmember of The New Dramatists and is a member of the Writers Guild of America/West, the Dramatist Guild, The Writer's League of Texas, Gemini Ink and PEN International. He has been the playwright-in-residence at Humboldt University (Arcata, CA), as well as a guest playwright at the Tennessee Williams Festival in Key West and The Texas Playwright's Festival, Stages Theater, Houston. A fellow at the Blue Mountain Writer’s Colony in Blue Mountain, New York, Sibley has also had residencies at the Saskatchewan Writers/Artist Colony (St. Peters) and The Colony at Dairy Hollow, Eureka Springs, AR. In the Spring of 2003 he was a visiting guest lecturer at the Pen Ethnic Conference, Bay Shore, Long Island, NY. In July of 2003 he was guest speaker at the Tenth Annual Agents Conference, sponsored by the Writer's League of Texas, Austin, TX. In August of 2003 Mr. Sibley was selected to attend The Julia and David White Artist Colony in Ciudad Colon, Costa Rica. In June of 2004 Mr. Sibley will lead a 3-day seminar for The Writer's League of Texas on creating and sustaining believable dialogue -- http://www.writersleague.org/classes.htm. His writing has appeared in Utne Reader, The Dallas Times Herald, Heritage Magazine (summer 1996), Texas Co-op Power Magazine, The Dead Mule ("A Journal of Southern Literature"), Flying Colors Magazine, Southwest Airlines Magazine, Ford Times, The Texas State Reading Association ("Cookin' and Bookin'") and The New York Native.
While he has lived in New York City and Santa Fe, Sibley is a sixth-generation Texan and currently commutes between Los Angeles and his great-grandfather’s ranch south of San Antonio. In addition to helping restore a 100-year old train depot, he writes, raises cattle and (formerly) ostriches, grows olive trees and is a past president of the Christine Historical Society and former board member of the Texas Historical Foundation and the Atascosa County Historical Commission.